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Rollei Infra-pink four hundred has grow to be an absolute favorite film of mine. Not just for infrared pictures, but in addition for regular pictures. I feel that Rollei IR400 is in a high quality bracket barely larger than the Retro 400s and 80s film. It is a factually unsubstantiated, however loosely primarily based on my experience using the film, where Ive observed less emulsion defects and better packaging quality, such because the movie backing paper. Infrared movies are very attention-grabbing movies to make use of. They report light which we cant see, be it just a hair outdoors of the visible spectrum. No less, if you are a fan of a purple filtered and like to shoot landscapes, the impact of shooting in infrared is substantially stronger than a purple filter. There are some issues that change though, like how certain materials mirror infrared and grow to be white, together with inexperienced foliage. Red filters with panchromatic emulsions would darken green leaves, but with IR film it becomes gentle or white. Rollei IR400, Retro 400s and Retro 80s are all tremendous-panchromatic movies, and have visible infrared contamination when using purple filters. Foliage might even flip white. Another cool facet of infrared movie is that it may well lower by way of a shocking quantity of haze, which might result in substantially clearer distant textures in landscapes. See the example below. The film, like some other current IR movie, wants a devoted infra-purple filter in order for it to record in that spectrum. These filters are either very darkish pink, or pitch black. Remember that the infrared spectrum is pretty large, and that IR movies accessible today solely report in the prolonged red or close to-infrared vary, from 700nm to 820nm. This is not like converted digital cameras, which might report far beyond that. Because of the needed darkish and near black filters, capturing infra-pink movie with a SLR design digital camera can turn into a cumbersome exercise, since it requires eradicating the filter for every new composition. This can be prevented with the use of rangefinder or twin lens reflex cameras, for the reason that filter can keep connected for focus and composition. I take advantage of the Heliopan 715 with this movie for infrared work. I discover that my negs look finest when the movie is rated at ASA 12, with bracketing within the type of half stops of over exposure only. Infrared gentle will not be all the time constant, so bracketing isnt necessarily a cop out, but I`d refrain from underexposing. The advisable EI of 25 is solely not enough, even if utilizing highly compensating developers. The usable EI is 3 to 12, but clearly with matching creating occasions. Like most Rollei B&W films, this one is a dream to load right into a creating reel. On hot days, I usually put the exposed film within the fridge for an hour before I load it into my JOBO tank. This retains the movie base stiff, and it takes a little longer for it to turn into sticky from increasing humidity in the altering bag. Make sure to not shock the emulsion by instantly pouring water or developer in it after loading a chilled movie! This movie has a clear PET film base. This implies, that it have to be loaded in subdued light in oder to forestall light leaks. This is probably extra essential for 35mm shooters than 120, since a hundred and twenty movie shooters need to do that with each movie. Additionally, the anti-halation layer is also there to cut back the chance of light leaks as properly to stop the blooming effect (aura) reminiscent of the now discontinued EFKE IR820 Aura. Nevertheless, the power of your digital camera to tightly wind a a hundred and twenty roll is important, since most light piping I`ve seen is at the end of the one hundred twenty roll. Personally, I want an IR movie to have this anti-halation layer. I dont just like the blooming effect like that of EFKE IR820 AURA. If you want to provoke the impact with Rollei IR400, overexpose the film but make sure to drag the film appropriately when creating. In terms of scanning, its a pleasure very like different PET based mostly Rollei movies, similar to Retro 400s, Retro 80s, Ortho, and so forth. If washed properly, the PET movie base is totally clear, which prevents the scanner having to scan and correct for a base fog. Some scanners will find it hard to deal with the elevated contrast on account of clear PET, however I discover its a blessing with my Imacon 343 scanner. Also, the movie doesnt warp or curl much, which is one thing that annoys me often with Kodak B&W films. Having used this movie with Ilfotech HC, ID-eleven (identical as D76), Perceptol, Rodinal, and Beutler, I can solely say I much desire the outcomes of Rodinal. Especially the non compensating dilutions equivalent to 1:25. This may occasionally require extra pulling at times, however I discover the tonality and transitions of darker tones remain neater this way. Rodinal 1:50 is otherwise recommended as a great dilution, but I find outcomes get a bit uneventful with 1:100. This is the same for Beutler, nonetheless, with a very distinctive gray look. Private tastes fluctuate, and its best to attempt these items out your self. I had poor results with Ilfotech HC; poor grain texture, a generally poor tonality and really short developing occasions. ID-eleven had good results, however the grain didnt look good to me. While perceptively much less grain, it looked a bit extra clumpy, and lacked the dense and high quality construction seen in Rodinal. Perceptol was nice. It produced low contrast pictures, with positive grain, but the development instances were very long, (23min at 20℃). Rodinal gives trustworthy grain with none solvent properties, and up to now this has been my most well-liked look. From what Ive tried, its been the most effective developer for IR400, not only for its flexibility to control pictorial results, but also the way it retains the movie grain looking neat and dense. All in all, Rollei Infrared IR four hundred is a implausible film. To be honest, EFKEs infra-red movies had been great, and in some circumstances preferable over IR400. Sadly, its quality management issues made it an unattractive and high risk film to use for particular work, and ultimately its discontinuation has made its availability very very slim and pricy. Rollei IR400 is a particular movie, however much like the other Rollei films, its not a extensively used movie and therefore a poorly understood movie. Rollei movies in the end have had poor reputations, since Maco has a history of inventive advertising statements and really poor developing suggestions. On high of this, many individuals have a tendency to purchase a really small quantity of film for analysis purposes, and then write destructive evaluations based mostly on their poor results. You cant assessment a movie primarily based off using two or four films, please! Particularly not when the manufacture has poor growing suggestions and deceptive marketing knowledge. Twenty rolls of movie ought to offer you a very good perception. On that note, if Rollei IR400 is just too costly, try Rolleis different tremendous-panchromatic movies, particularly Retro 80s, which I discover better suited for infrared work than Retro 400s. The picture on the left was taken with Retro 80s and a 715nm filter. I think this film doesnt age well. I have seen on two separate batches, that as they go their expiry date, the more base fog they develop, and the much less delicate they turn into to IR. The base fog will increase and the service takes on a inexperienced/brown color. More alarming is the decrease in sensitivity of a couple of cease or a little bit extra. I cant say for sure if that is a global drop in sensitivity or simply IR, since most of my pictures with the expired stock have been taken in infrared. Maco didnt elaborate on this both, and I do know that the emulsions werent this colour before expiry. Odd. Below are two strips of negatives (roll over to see detrimental image). Left is new stock expiring in two years time, and on the proper is old stock that expired two years in the past. The unfavorable on the best needed a one cease push in creating for the same EI 6-12 exposure I usually use, and many of the usable pictures have been the EI6 pictures. I havent noticed such behaviour with every other movie yet.
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